Posts Tagged ‘Andy Hay’


February 8, 2011

Last week we color-timed the Lactaid-sponsored GOURMOO COOKOFF web series at In A Place Productions while Andy Hay (who just back from Sundance where he had two films playing, including the festival’s darling LIKE CRAZY) cleaned up, sweetened and mixed our sound. It was an incredibly easy phase of post-production — which is the norm when I get to work with this aces team of awesome post peeps. Heck, we got ahead of schedule because everyone is so badass.

Today we delivered the gorgeous looking and sounding FINAL VERSIONS of all five episodes!

I’ll let you know the second the series is available for viewing on Moovision.

Milk and American Justice

September 16, 2010

This week has been fun.

I was put on a jury on Monday so I’ve been unexpectedly serving the American justice system all week. I can’t wait to talk about the trial and the experience after we come to a verdict.

While doing my civil duty, my post team and I were galloping down the homestretch on the Lactaid “Moovision” project that I’ve been on since April. On Friday, we deliver two webseries and a teaser video for a third series that we’re shooting in December.

Thus, this week, before and after my court hours, I went to In A Place Productions and worked with the extradoinary color-correction team consisting of  Milton and Augie. Despite my Boston DP’s complaints about the cameras we used, we were lauding them this week. It’s amazing the amount of information Canon’s 5D, 7D, and 1D’s captured. Milton was able to transform cringe-worthily overexposed shots into glorious images!  Thank you In a Place peeps!

Meanwhile, I collaborated with Chris Westlake via text messages from the courthouse and phone calls at the lunch hour to guide him with small revisions on the three final music cues.  Luckily, Chris and I have a shorthand after doing so many projects together.

Starting Sunday, another usual suspect joined the post team — Mr. Andy Hay! Andy and I did our spotting session before the week began so he could dig into the sound design and mix asap. He’s managed miracles with fixing the sound messes our Boston mixer left us. The last one of the ten to-be-delivered videos is coming in momentarily.

And, I finished reading THE HANDMAID’S TALE by Margaret Atwood, which will be a new favorite for me. I devoured the novel, but the ending is driving me nuts. Eventually, I’ll probably decide it’s a perfect conclusion, but, right now, I want more. I care about our narrator and want the closure of knowing her fate. Though the point is probably that she doesn’t know it so I’m more “with” her than ever and, really, the story is everything that happened before those last pages, how she’s evolved, but… still… I want the bow.

Next week I’ll get back to work on my next feature, the UNTITLED EARTHQUAKE MOVIE, but, rightly so with the Moovision delivery and jury duty, we paused it.

Appointment with Done(ish)

November 27, 2009

So much to update you on! It’s almost daunting.  Especially since I’m squeezing this post in while LAB and I stop in at Starbucks for email-checking.  You can assume that the longer my blog is dormant the busier I am.  This is not a woo-is-me statement. Busy is good.  In August when we went to see sweet Ellen, the powdery soft skin sunshiny tarot reader-clairvoyant, she told me the next three months would set the tone of my career for the next fifteen years.

The next FIFTEEN YEARS.  My response: !!!  Ellen’s response, “Oh, that just freaked you out, huh?”

If the next fifteen years are as busy as these autumn days, I’m a lucky filmmaker.  If they are as profit indeterminate, I’m an uneasy filmmaker.

The big news has been eked out step-by-step via my tweets and Facebook statuses:

The editing, sound mixing, color correcting, and mastering to DVD of APPOINTMENT IN VANCOUVER is done!

In about a week, the DVD will be available for purchase on our newly revised website, IndieFlix and Amazon.

I’m proud of us. We met our deadline of making AIV obtainable to holiday shoppers. To achieve this goal, there has been some major hustling like….

  • Bringing on one of my favorite composers, Chris Westlake, to compose music when our original composer’s system crashed two days before our sound mix.
  • Working with the incredible Andy Hay (and his six-fingered cat, Cody) and having to ask him to extend our time as Mo, our indomitable music supervisor who secured 12 tracks with a $0 budget, scrambled to license our credits music and Chris delivered the final, emergency-ordered, PERFECT tracks.
  • Combing through our raw footage with Andy guiding me via AIM to find background sound bytes to fill newly found sound ‘black holes.’ I’m so grateful for Andy’s sense of humor – as wacky as mine and as delightfully fitting for AIM giggles.
  • On Halloween, calling up our grad school colleague and the production designer of my first project at AFI talented Megan Hutchison in Portland to ask yet another favor of a friend: can you design our DVD jacket, disc and menu art?  She said yes.  I LOVE the art. It’s edgy, brave, masculine, epic, arresting, memorable and included in this entry.
  • Calling in Stephanie Hernstadt to do our credit roll on AfterEffects because in FCP they look jittery.  BTW I love our main credits — I did them late one Thursday night; beautiful landscape shots of mountains and ski resort visuals with our names cleverly inserted into the the images.
  • Working out one frame color-correction render glitches with Dominique. This was one of my favorite issues to remedy because it meant I got to hang with Dom at In A Place Productions a lot… which is the second most Zen place in LA (first is my house).
  • Spending a solid week fighting DVD Studio Pro and iDVD creating a master DVD of the film. To save a few hundred dollars, I dedicated hours and hours, dozens of test DVDs, and a new level of patience figuring out how to create an SD disc from HD mixed footage.

Now the PR and marketing hustle begins.  As Seth, the film’s producer loves to tell me, we aren’t done. We’re just beginning.

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